I copied the following article from this link.
It’s
All Relative: How Beauty Standards Have Evolved Throughout History
JournalBoudoir
As a boudoir photographer, I’m constantly
hearing women talk in depth about the parts of their bodies they don’t
like.
“I hate my arm flab.”
“My boobs are so small. I look like a man.”
“Maybe I should wait until I’ve lost another ten pounds before we schedule the
shoot.”
“Make sure my hair stays in place so you can’t see how big my forehead
is.”
I’ve heard women criticize themselves over
things that I didn’t even know you could be insecure about, like the shape of
their nail beds, or having “asymmetrical lips”, or the dimples on the small of
their backs (or lack thereof). The things some people consider to be beautiful,
others see as mere flaws, and this is nothing new. Humankind’s beauty standards
have always changed from decade to decade and from country to country.
Some of us are convinced that we are just
objectively unattractive when in reality, beauty is completely relative. Just
because we were born into a time where our physical traits weren’t in fashion
doesn’t mean that we are any less beautiful than those women who were lucky
enough to be born during a time where their appearance is in favor. Almost
every woman alive today would have fit the mold of the “ideal” woman during one
era or another.
As I wrote this post, I had each and every
woman I’ve ever worked with in mind; not only do I truly think all women are
beautiful in their own unique ways, but I also think that the things we dislike
about ourselves are often the things that make us beautiful in someone else’s
eyes.
25,000 BCE
Behold: the Venus of Willendorf, the
heavily idealized standard of beauty during the Paleolithic, or “Old Stone
Age”. Though she may not be what we think of today when we imagine an
“idealized” woman, this is, in fact, what a desirable woman would look like
during this time. The fact that her face is completely absent and the arms are
so small and unpronounced tells us that the artist’s aim wasn’t to create a
meaningful portrait of a real person, but to create a sculpture emphasizing the
most sexually appealing parts of a woman’s anatomy – large breasts, thighs,
stomach, and pronounced genitals. Fertility sculptures that are almost
identical to this one have been found in excavation sites all around the world,
all dating back to this time period.
1550 BCE
Women and men in ancient Egypt were in many
ways seen as equals, but not when it came to beauty. While men were expected to
have a reddish-brown skin tone, a woman’s complexion would ideally be more of a
light golden tan. Men were expected to have angular bodies with broad
shoulders, and a desirable woman’s body was more soft and rounded. A pronounced
stomach and a plump, slightly sagging butt were nothing to be ashamed of, in
fact, they were greatly admired!
300 BCE
What better example of the ideal woman in
ancient Greece can you think of than Aphrodite, the goddess of beauty? And is
she depicted with a six-pack and huge boobs? Of course not. Aphrodite, the
epitome of physical perfection, is portrayed with distinct stomach rolls as she
crouches. I don’t know about you, but if stomach rolls are good enough for the
goddess of beauty, they’re good enough for me.
In ancient Greece, the ideal woman was plump, with wide hips and small breasts.
Being beautiful was very important in Greek culture, and many women were
willing to sacrifice their health in pursuit of physical perfection. Women
would sometimes coat their skin in makeup made with white lead (which happens
to be toxic). Blondes and redheads were considered to be especially beautiful,
so women would sometimes bleach their hair with vinegar (which often caused
hair loss). As for facial features, a prominent nose and small lips were the
most favorable.
800 AD
Vikings sometimes get a bad wrap, being
labeled as brutal savages who did nothing but pillage, murder, and rape. But,
when you compare their way of life with the cultural norms of the rest of the
Western world at the time, they were actually much more civilized than people
realize. Unlike the other settlements and countries throughout the rest of
Europe, women in Scandinavia had many rights; the right to own land, the right
to request a divorce, and the right to join the men on raids. Additionally, the
Vikings valued personal care more than most peoples of the time. While most
Europeans of the era never bathed a day in their lives, Viking women often
bathed as frequently as once a week, taking exceptional pride in maintaining
long, shiny hair. Women were admired for having bright white arms, which,
again, may have been due to their “obsession” with appearing to be as clean as
possible, since most cultures at the time viewed dark skin as a sign of poverty
or poor hygiene.
1400
During the Renaissance, large foreheads were
thought to be a sign of great beauty, and although blonde hair was all the
rage, women would often pluck their hairlines back and thin their eyebrows in
order to make their foreheads appear larger. Pear-shaped women were thought to
be the most beautiful; women were proud of their curvy hips and thighs, but
would flatten their chests with tightly bound corsets.
1790
Queen Louise of Prussia, pictured above, was
widely considered to be the most beautiful woman in Europe during the Georgian
era. During the 1700’s and early 1800’s, “beauty” was synonymous with
“proportion”. A conventionally beautiful woman was neither too tall nor too
short, neither “too thin” nor “too plump”, with a long neck, large breasts, and
a tapered waist. Much like in ancient Greece, a prominent nose and small lips
were considered to be very beautiful, as was a round face with a slight double
chin.
1880
During the Victorian Era, men wanted women who
fit the role of the “damsel in distress”; women who needed to rely on strong
men to protect them. Because of this, women were expected to be feminine,
delicate, and even sickly. During the 1880s, women desired an “s-shaped”
silhouette, and in addition to tight corsets that accentuated the waist and
lifted the breasts, women wore dresses with layers upon layers of ruffles that
gave the illusion of a larger, more exaggerated butt. Due to their incredibly
tight corsets, it was often difficult for women to breathe, which made fainting
spells a common occurrence. This contributed to the perpetuation of the idea
that frailty was a trait of beautiful women. Few women wore makeup, and those
who did usually only wore rouge and eyeliner, which also contributed to that
look of emaciation and illness that was considered to be attractive.
1920
In contrast with the femininity that was
expected of women in the Victorian era, androgeny was all the rage during the
1920s. For the first time in hundreds of years, women were ditching their
corsets, which were too restrictive for the active lifestyle of this new
generation of wild, rule-breaking women. Curves were no longer in vogue; women
aimed to maintain a slender figure and wore loose, shapeless dresses that
understated and hid any natural curves. Some “radical” women began wearing
pants (several of whom were arrested for “cross-dressing”). In another act of
rebellion, women began cutting their hair short, which was shocking and
offensive to both men and women of older generations. Keep in mind, despite the
fact that women had just won the right to vote, many people still felt that
women were the inferior sex and that they could never be seen as equals to men.
Because of this, there was an underlying societal pressure for women to prove
that they were just as capable and intelligent as men, often by downplaying the
qualities that made them conventionally feminine, and this heavily influenced
the beauty standards of the time.
1950
By the 1950s, the world had changed in very
dramatic ways. The Great Depression and World War Two had taken a toll on the
economy, forcing women in the 1940s to make due with what they had.
Because of rationing, women would use eyebrow pencils to draw “seams” up the
backs of their legs to make it look like they were wearing nylons, and they
began making alterations on men’s suits to repurpose them into dresses (which
led to the very popular trend of wearing padded shoulders). But by the 50s, the
economy was booming for the first time in decades. The beauty industry took off
like never before, providing fashionable dresses and cosmetics at affordable
prices to women of every class. The availability of these products, amongst
other factors, created a societal expectation for women to “keep up
appearances”, and always look their best. Full lips with bright red lipstick
were the new trend, as well as voluminous hairstyles. As women began gaining a
little more weight (due to the fact that food was no longer being rationed, as
it had been in the previous decade), the hourglass figure became the most
desirable shape, which brought about the re-popularization of
corsets. Contrary to popular belief, “plus-sized” women were not the ideal of
the time, at least, not what we could consider today to be “plus-sized”. Women
still wanted thin arms and legs, as well as a tiny waist, but they also wanted
large breasts and round hips. By today’s standards, the ideal women in the
1950s were still quite thin.
In recent years, we’ve made leaps and bounds
when it comes to expanding our ideas of what we consider to be “beautiful”. For
the first time ever, the media has begun representing women of many different
sizes, shapes, complexions, sexual orientations, etc. in their advertising. We
still have preconceptions that have been ingrained into our cultural
consciousness about who the most beautiful women are, and we
still have a long way to go when it comes to accepting that beauty comes in
many forms, but I’m optimistic about the coming years.
So, what can we learn from this? When it comes
to beauty, there is no set of rules. In 100, 200, 300 years from now, the
physical qualities that our society glorifies will fall out of fashion and
traits that we typically think of as “unattractive” will become the new gold
standard. Our perception of beauty is not based in fact, but rather, an
ever-changing set of societal opinions that ultimately mean nothing.
Whether you feel that our culture affirms or
denies this, you are beautiful. I encourage you to show yourself a little love
this week, whether it’s booking a boudoir session, buying a new dress that
makes you feel great about your body, meditating, or whatever makes you feel
like the best version of yourself.
