If ‘Sex
and the City’ came out today, Miranda would be the protagonist
By Harling Ross, a writer and was most
recently the Brand Director at Man Repeller
This story
first ran in June 2017, but Cynthia Nixon’s recent gubernatorial bid
contributes a whole new chunk of evidence to my thesis. If ‘Sex and the City’
came out today, do you think Miranda would get political? Let’s discuss.
Out of the four main characters on Sex and the City, Miranda is
by far the most universally maligned. Her name is dreaded result at the end of
a Buzzfeed personality quiz. No one wants to be the Miranda. She is basically
Hufflepuff.
Bearing these truths in mind, what I am about to say may shock you. Contrary
to popular opinion, Miranda is actually the best character on Sex and the
City. Not only that, but if the show had premiered in 2017 instead of 1997,
I’m fairly positive she would have been the protagonist instead of Carrie.
Did I just blow your mind? Is the coffee that was in your mouth now
dripping down your shirt? Don’t worry. It will all start to make sense soon.
Let’s start by breaking down the women’s personalities via the following
conversation from the first episode of season four (appropriately titled “The
Agony and the Ex-Tacy”)
Miranda: Soulmates only
exist in the Hallmark aisle in Duane Reade drugs.
Charlotte: I disagree. I believe
that there’s that one perfect person out there to complete you.
Miranda: and if you don’t
find him, what? You’re incomplete? That’s so dangerous.
Carrie: Alright, first of
all, the idea that there’s only one out there, I mean why don’t I just shoot
myself right now? I’d like to think that people have more than one soulmate.
Samantha: I agree. I’ve had
hundreds.
Charlotte and Samantha lack the complexity to qualify as potential
protagonist material in any decade given they are essentially walking bundles
of stereotypes (Charlotte; a prudish Pollyanna and Samantha, a sex-crazed
vixen), so that leaves Carrie and Miranda as the only viable contenders. Emily Nussbaum
once pointed out that “Before ‘Sex and the City’, the vast majority of iconic ‘single
girl’ character on television, from That Girl to Mary Tyler Moore and Molly
Dodd, had been you-go-girl types – which is to say, actual role models.” In 1998,
Carrie Bradshaw was the first of her kind; a bonafide female anti-hero. But consider
the optics of Carrie’s personality and aesthetic in 2017. She’s a try-hard. She
only tells people what they want to hear. Her enormous apartment and shoe
collection are laughably unrealistic. She eats politically incorrect meat. Her aspirational
lifestyle and personhood is held together by tenuous strings of deluded
impracticality. Miranda, on the other hand, never tries to cover up the
dauntless core of her raw, unfiltered self. She in unapologetically blunt and
tells the truth – a combination often misconstrued as cynical. By 2017
standards, Carrie is equivalent of an overly edited Instagram. She is the idea
of a person. A snapshot. A fragment. Miranda’s sauthenticity is radical in
comparison, and far better suited to our present-day hunger for “realness”. That’s
what brands and identities are built on nowadays (Glossier, THINX, Jennifer
Lawrence). In 2017, the raw, unfiltered self-reigns supreme.
Their respective personal styles reinforce this tipping of the scales in
Miranda’s favor. Carrie is frequently celebrated for her bold fashion choices,
and I would be the first to support her prowess in this regard. I frequently
steal ideas from her various outfit combination, which are an actual treat to
behold across the show’s six seasons. But I take issue with the fact that
Carrie remains Sex and the City’s single, uncontested fashion icon while
Miranda is dismissed as the least stylish of the group, especially given that
Miranda’s wardrobe is actually more in line with the proclivities of today’s
fashion climate. In her signature sleek suits, black turtleneck, trench coat,
tiny sunglasses and effortless pixie cut, Miranda essentially looks like a
French woman in Celine. Her more adventurous ensembles, like an overall/puffer
jacket combo, are reminiscent of Vetements and Balenciaga. Dare I suggest that
her style might actually fit seamlessly into the “cool girl aesthetic” of 2017?
She’s a protagonist material any way you slice it.
Miranda’s relationships further underscore this claim. Skipper, Steve,
and Robert are her three love interests -- a younger man, a man with a
different socioeconomic status and a man of a different race. I realize these
are paltry examples of boundary-pushing by today’s standards (and even now, the
television industry still has a long way to go when it comes to tackling issues
like stereotypical gender roles and lack of diversity), but in comparison to
the other women, Miranda is by far the most progressive when it comes to
relationships. Carrie, Charlotte and Samantha hook up with the same type of man
over and over: handsome, financially stable, older, and white. It was supposed
to be ‘shocking’ when Charlotte married a bald guy. A bald guy! I’m not
forgetting Samantha’s brief dalliance with lesbianism. Unfortunately the show
treated that relationships as little more than a joke, which renders it
somewhat moot if I’m giving credit for bucking normativeness. Almost everything
about the way Sex and the City depicts relationships would be
problematic in 2017, but Miranda’s certainly come closest to meeting the higher
expectations of today.
As I assembled the disparate pieces of this argument, I’ll admit I started
to feel a bit badly for trying to kick Miss Bradshaw’s off her throne. I have a
lot of genuine affection for Carrie. Her clothes are amazing. She’s massively
entertaining. I rooted for her when I was introduced to the show in high
school, and I still root for her now. But I stand by my conviction that Miranda
has been dealt with an unfair hand. The traits her character is frequently
reviled for – cynicism, honestly, drive – are, in my opinion, the traits that
make her character the most interesting. Miranda is the 2017 protagonist Sex
and the City deserves; Carrie would likely fill the role of her stylish,
witty, adorably deluded, love-obsessed sidekick. At the end of the day, I’d
rather be a Miranda. Wouldn’t you?
This article was originally posted at this link.